Date of Award
Spring 6-15-2025
Document Type
Thesis (Master's)
Department or Program
Sonic Practice
First Advisor
César Alvarez
Second Advisor
Bethany Younge
Third Advisor
Samita Sinha
Abstract
This thesis is a reflection on a performance practice shaped by presence, process, and the unseen. Through the lens of three original works, (a)temporalities, TechniTerra, and What I Couldn’t Say Out Loud, I explore the act of performance as a devotional offering, a site of transcendence, and a method of attunement. I write from within: inside rehearsal, inside sensation, inside the unknowable. Each work serves as a record of inquiry, not asking “what can I make of this,” but “what begins to unfold when we tune ourselves to something larger?” In these pages, I share rehearsals that felt like portals, moments where sound arrived when I left, and vocal practices that led me beyond thought and into the wilderness.
This is a traceback, a reflection of a voice unfolding– intuitive, embodied, and in ongoing relationship with the sacred and the strange. The language here attempts to honor the process more than the product. What emerges is less a theory and more a way of being: a devotion to creating from the edge of knowing, and to performing as a way of remembering what we never fully forgot.
Recommended Citation
Peoples, Charles Lee III, "On Losing Oneself: Reflections on a Performance Practice" (2025). Dartmouth College Master’s Theses. 230.
https://digitalcommons.dartmouth.edu/masters_theses/230
Included in
Audio Arts and Acoustics Commons, Composition Commons, Music Performance Commons, Music Practice Commons
