Dartmouth College Press

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  On the sleeve of the visual: race as face value

  Alessandra Raengo

  In this work of critical theory, Black studies, and visual culture studies, the author reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and what they mean. Having established her theoretical concerns, the author's eclectic readings of various artifacts of visual culture, fine arts, cinema, and rhetorical tropes provoke and destabilize readers' visual comfort zone, forcing them to recognize the unstated racial aspects of viewing and the foundational role of race in informing the visual. -- Back cover.

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  Creative Commons Attribution-NonCommercial License © Trustees of Dartmouth College

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  Changing the culture of academic medicine: perspectives of women faculty

  Linda H. Pololi

  Rights Information

  Creative Commons Attribution-NonCommercial License © Trustees of Dartmouth College

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  The Journal of e-Media Studies

  Mark J. Williams

  The Journal of e-Media Studies, ISSN 1938-6060, is a blind peer-reviewed, on-line journal dedicated to the scholarly study of the history and theory of electronic media, inclusive of analog television, radio, etc. plus the expansive worlds of digital media. It is an inter-disciplinary journal, with an Editorial Board that is chiefly grounded in the methodologies of the field of Film and Media Studies. We welcome submissions across the fields and methodologies that study media and media history.

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  Spoonwood

  Ernest Hebert

  Ernest Hebert's series of novels set in Darby, New Hampshire, has been hailed by the Boston Globe as "one of the most interesting accomplishments of contemporary American fiction . . . [a series] into which the texture of class is as skillfully woven as it is in Faulkner's Yoknapatawpha County." After almost fifteen years, Hebert has returned to this rich literary landscape for a new novel of the changing economic and social character of New England. Hebert's previous Darby novel, Live Free or Die, recounted the ill-fated love between Freddie Elman, son of the town trash collector, and Lilith Salmon, child of Upper Darby gentility. At its conclusion, Lilith died giving birth to their son. As Spoonwood opens, Freddie, consumed by grief and anger and struggling with alcoholism, is not prepared to be a father to Birch. But as both his family and Lilith's begin to maneuver for custody of the child, Freddie embarks on a course of action that satisfies none of them. Once again, Hebert masterfully conveys the natural and social landscape of contemporary rural New England. Grounded in complex, fully realized characters, Spoonwood offers Hebert's most optimistic vision yet of acceptance and accommodation across class lines.