Author ORCID Identifier

https://orcid.org/0009-0005-6275-2042

Date of Award

Fall 2024

Document Type

Thesis (Master's)

Department or Program

Master of Arts in Liberal Studies

First Advisor

Vievee Francis

Second Advisor

Matthew Olzmann

Third Advisor

Anna Minardi

Abstract

This thesis reimagines the consequences of my great-grandmother’s life. It is an attempt to demystify women’s conditioned roles within private and public spaces and note how, through this conditioning, their identity is repressed to the point of diffidence and eventually, abhorrence towards their own bodies and the physical spaces they occupy. This is portrayed in poetry form through the voice of my great-grandmother as the primary speaker, and is interspersed with the voices of the grandmother, the mother, and the great-granddaughter.

My great-grandmother’s lived experience consisted mostly of her life as a young wife, mother, devotee, and storyteller. She told me her stories before she passed away at age 90 after having forgotten almost everyone important in the various lives she lived. Incorporating stories of some of the women in my family though gently blurring the lines between reality and fiction, this poetry collection presents the different shapes womanhood has taken within our family, in its movement through almost a century.

The collection confronts questions about motherhood, body dysmorphia, forgiveness, the domestic and nature, and the problems that arise with carrying these questions in neat, presentable vessels. Further, this collection uses the examples of goddesses in Hindu mythology and women in history, to place these questions and, by extension, my own family, within a larger cultural context.

Available for download on Wednesday, October 01, 2025

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