Theses/Dissertations from 2003
title unknown; pertained to the role of the Vietnamese setting, particularly the Mekong River, in Duras' L'Amant, Tracy Van Dorpe
Gastronomy and Social Status in Burns and Petronius, Scott Wilson
n/a, Dongmei Xu
Theses/Dissertations from 2002
Don DeLillo, Haruki Murakami, and the Uses of History, Kendall Heitzman
The Wooden Chest, the Donkeyskin, and the Golden Lantern; Shifting Views of Transgression in Aarne-Thompson Motif 510B, Helen Pilinovsky
Anne Sexton, Olga Broumas and Rose Auselander: On Sleeping Beauty and the Metaphor of Sleep, Larissa Thompson
Caliban and the Fall of Manicheanisms: Moments of Rupture in Gillo Pontecorvo's Burn!, Smita Tripathi
Towards and Epistemology of the National Sign: The Language of War in José Martí's "General Grant" and Ismaelillo, Christopher Van Ginhoven
Mastering Xenophobia: Carlos Saura's Taxi (1996), Shilyh Warren
Theses/Dissertations from 2001
Reconstructing Chinese American Home and Space: Gish Jen's Typical American, Lan Dong
Can Le Premier Homme Speak? Demythologizing the Colonizer, Carla Haddad
Criminal Discourse(s) and Historical Representation(s): Wiemar Cinema's Opposition to Siegfried Kracauer, Nathan Mealey
Locating Power in Post-Confrontational Drama, Andrew Victor
The Role of Ono no Komachi and Gender Within the Kokin Wakashu Project, Akira Yatsuhashi
